Season 5, Episode 3
Air Date: Thursday, October 31, 2013, 9/8c on USA
Rating:
“You and I aren’t partners anymore.” – Neal
WARNING: Spoilers for those who haven’t watched this episode.
I really enjoyed “One Last Stakeout,” which is one of the best written White Collar episodes yet due to the complexity of the episode and how it impacts everything around it. A few weeks ago, I did a conference call with Matt Bomer and Tim Dekay, during which Matt told us, “This season for Neal is about best intentions going awry.” That comment resonated with me throughout “One Last Stakeout” as every decision Neal makes—regardless of the reason behind it—has consequences for him. We also see some of the biggest character growth in the series this season, which affects the relationship between Peter (Tim Dekay) and Neal.
I was concerned about the Neal and Peter’s split, given that the show is really about their relationship. But White Collar has created some interesting dynamics, especially for Peter who, in many ways, finds himself wanting to have his cake and eat it too. This proverb seems to be an underlying theme this season as Peter adjusts to his new job while reminiscing about the good times with Neal that got him there. This sets up an interesting conversation between the two as Peter talks fondly about how far they have come. Neal is quick to point out that while everyone else’s lives are changing, he’s still the criminal wearing a tracking anklet.
It’s fascinating to watch as Peter get restless sitting on the sidelines, particularly when it comes to keeping an eye on Neal. This plays out in a scene where Jones (Sharif Atkins) confronts Peter about it.
Jones: “When was the last time you checked Caffrey’s anklet.”
Peter: (mumbles)
Jones: “Peter?”
Peter: “Ten minutes ago. He’s home probably painting something he shouldn’t be.”
Things come to a head when Peter shows up unexpectedly during a stakeout. It’s heartbreaking to watch as Neal tells Peter things are no longer what they used to be. But does Neal really mean this, or does he use it just as a ruse to get rid of Peter?
One of the things I like about this season of White Collar is how the writers have focused more on character development and less on big things, like a music box, u-boat or treasure as they did in past seasons. Instead, characters are being put in different positions than we are used to seeing them in; as Peter says, “There are a lot of changes going on around here.”
The dichotomy of the ramifications resulting from Seigel’s (Warren Kole) death are fascinating. Sometimes, a show introduces a character for the express purpose of killing them in order to dramatize the peril the main characters are facing While I think the introduction of Seigel is part of that, the writers did such a good job of introducing Seigel, it felt like he had been on the show longer than two episodes and I did not see Seigel’s demise coming at all. After Ellen (Judith Ivey), this is only the second death of a main White Collar character other than Kate (Alexandra Daddario), who I didn’t view as a main character anyway. In the past, Neal’s actions may have allowed a criminal to get away or be arrested—depending on what worked out best for Neal—but there have never really been any serious repercussions as a result of Neal’s cons while working for the FBI.
How will Seigel’s death impact Neal, who put all the pieces in motion that indirectly led to Seigel’s murder? Will this cause Neal to open up to Peter and tell him everything, including the deal with Hagen? Not to mention whether Hagen even is the killer. We assume he is but Mozzie (Willie Garson) was there as well, although he left before the meet. Could he have gotten curious and returned, only to be confronted by Seigel? The last time Mozzie saw Seigel was when Seigel had a gun aimed at him. What would Mozzie do if he were confronted by a non-friendly “suit?” What do you think?
I had a chance to ask White Collar’s Co-Executive Producer, Joe Henderson, who coincidentally wrote “One Last Stakeout,” a few questions. He told me about his two favorite scenes to write. “The stakeout with Warren Kole and Matt Bomer was a fun bit of character that I think the actors nailed, and the scene where Tim and Matt figure out how to catch Zev. Classic White Collar scene with great performances.” And I totally agree. This season has really gone back to the season one feel that made fans fall in love with White Collar in the first place, while mixing things up at the same time.
Random thoughts
–How fun was it to see Peter get to do the famous two-finger point?
–Will we learn more about Mozzie’s apparent list of people who wronged him in some
way?
–After taking some time off to have the baby, how will Diana (Marsha Thomason) react
to Jones’ promotion? If she hadn’t had the baby, could she be in Jones’ shoes?
–I love how Neal tells Peter he is getting his morning coffee at coffee trucks parked
outside of banks and museums just to mess with Seigel and make him think he was
casing the joint.
–What was your favorite Mozzie wig?
–Will we ever learn what Seigel was about to ask Neal?
While we are only three episodes into the season, I have to say this is one of the strongest seasons yet. I can’t wait to see what else Jeff Eastin and the writers have in store for us next.
Tweet me @staffaroadtrip or leave a comment below to let me know what you think about “One Last Stakeout.”
For more on the show, visit the official website at http://www.usanetwork.com/series/whitecollar/.
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All photos © 2013 USA Network, a division of NBC Universal, Inc. All Rights Reserved.
Greg Staffa
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